Edvard Munch noted that “colors live a remarkable life of their own after they have been applied to the canvas” and, on this episode of the B&H Photography Podcast, Adam Marelli joined the hosts to muse on color theory from a painter’s and a photographer’s point of view. They discussed a few basic terms, learned about Michel Chevreul and Josef Albers, and then get into questions about his use of color, about film color compared to digital, printing, and Marelli’s understanding that colors are never static, and should not be considered such when creating images — look for the subtlety between colors.